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Miguel Martmn Angel Sword
Judge C.N.J./F.O.C.D.E. of Song T. Espa6nol
Judging by everything what he has said himself and written fifty
years in the last about the canary of Spanish or Timbrado
Song he is difficult to think that there are so many ready
fans to raise a so inclined race to all type of controversies: the
majority equiparables to which the first doctors of the Church
maintained in the Bizantino Empire about the sex of the
angels But, yet, they are the objective data there. The
" Bulletin of Information " of the C.N.J./F.O.C.D.E.
of 1998 it contains a " Comparative Panel of the
Judged Ornithological Varieties in Exercises 1995/96, 1996/97 and
1997/98 " of which we can extract the following data:
1:) Our race occupies the second place in the
list of judged varieties; 23,237 units in season
95/96 27,910 in 96/97 and 26,904
in the 97/98 So single the varieties of Color
surpass to us. This data is no unnoticed past for the C.N.J./F.O.C.D.E.
as his president demonstrates to the reference that, Fernando
Ferrer Higsn does on the matter in his Memory
of exercise 97/98.
2:) Is, also and with great difference, the
first race of canaries of bred song in our country; second it is
the Malinois with 4,745 units judged in 97/98
season and last the Roller with a dissapointing
number of 1,713 units judged in same season 97/98.
To this we must unite other data as the progressive
increase of the number of members of the Technical Commission
of song T. Espa6nol of the C.N.J./F.O.C.D.E. and the
numerous constitution every year of new associations whose components,
as they denote the social denominations, are dedicated, mainly,
to the young and selection of the Timbrado one being a phenomenon
specially well-known in Andalusia and Valencia We
do not forget either the height that, seems to be, is having our
singer in the American continent according to the
news that of arrive there.
Also it has increased the presence of the
canary of Spanish Song in the ornithological magazines
although it is necessary to be sorry that most of the writings that
are published they extremely have a poor content from the technical
and practical points of view; confusing more than teaching or clarifying
doubts to or of by himself disoriented fans and romping more than
solving the problems that in many consider or denounce. Sometimes
prime a trasnochado and irrational dogmatismo, of cuasipoliticos
dyes with which it is tried to aleccionar to reader and
to gain it for does not know itself what crossed In summary,
amount but nonquality; personally, I think that they would have
to be selected better, on the part of the magazines, the articles
published on our canary, whenever with it the balance inclined of
the side of the quality and it was contributed to an effective formation
of the liking.
As we see, we are speaking of a race in the heat
of expansion process and whose ceiling, if we acted all the interested
ones of moderately intelligent form, is still very far from being
reached (more difficult thing of which it seems, seeing the reaction
of some pseudodefenders of the purity of the race
who see be in danger their obsolete one, monolithic, iron and excluding
form to understand the song of the Timbrado one on a par
that the commerce and sale of its units, coverall beyond the
seas .
The explanation of the success of our small
great tenor resides, without the smaller sort of doubts, in
a characteristic of its song that constitutes its true greatness:
the great wealth and variety of its repertoire This
requires a standard the sufficiently ample thing that he is able
to lodge and to set the standards of valuation of a song in whose
composition they can take part almost infinite series of turns or
variations, which represents a difficulty added for the judges of
the specialty; since they must be always in a process of continuous
formation and prepared to identify and to value new turns, or that
had never listened, of cold and objective form, without letting
itself take by the surprise of the new development (in opposite
case one tends to value of incorrect form the turns, acting under
the influence of positive or negative printings that they benefit
or they harm, unjustly, the final total qualification of the unit).
If we observed both standard that it has Timbrado
Spanish reflected in individual lists of judgment,
we will see that they are based clearly on differentiated principles,
when not opposed:
LIST OF EFFECTIVE JUDGMENT
IN F.o.c.d.e. And C.o.m.
POSITIVE TURNS
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Timbres
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up to 3 points (9)
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Rolled Variations
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up to 6 points (18)
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Water timbre
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up to 3 points (9)
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Bell
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up to 3 points (9)
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Floreos
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up to 9 points (27)
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Floreos Slow
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up to 9 points (27)
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Bell
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up to 3 points (9)
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Cloqueos
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up to 6 points (18)
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Castanets
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up to 3 points (9)
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Joint Variations
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up to 9 points (27)
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Slow Water
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up to 6 points (18)
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Semiligada Water
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up to 3 points (9)
|
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Printing
|
up to 3 points
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NEGATIVE TURNS
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Rascada
|
up to 3 points
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Estridencias
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up to 3 points
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Nasalidad
|
up to 3 points
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LIST OF EFFECTIVE JUDGMENT
IN F.o.e., F.o.r.c. And F.o.c.c.e.
POSITIVE TURNS
|
Metallic timbre
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up to 9 points
|
|
Intermediate timbre
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up to 6 points
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Deep timbre
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up to 13 points
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Beaten note
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up to 6 points
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Cascabeleo
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up to 12 points
|
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Cloqueos
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up to 16 points
|
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Castanet
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up to 9 points
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Chau Chau
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up to 6 points
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Piau Piau
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up to 6 points
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Floreos of adornment
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up to 18 points
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|
Bell
|
up to 6 points
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|
Pairs
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up to 14 points
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Printing
|
1 point
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NEGATIVE TURNS
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Rascadas
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up to 3 points
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Estridencias
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up to 3 points
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Nasalidad
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up to 3 points
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A profane one in the matter, at first, would believe
to be in the presence of lists corresponding to two different races.
There am one of the absurd ones to that the lack has arrived from
existing understanding between our federations, although is necessary
there to break a lance in favor of F.o.c.d.e. since its
list, our list, allows to judge with justice to all the units pertaining
to the race, whereas with list F.o.e. one marginalizes to
a great number of canaries, that only can receive scores irrisorias;
when not corresponding the structural bases of its repertoire canoro
with the close parameters of selection that take shelter in standard
F.o.e. (the same problem which they raised the primitive
codes of song, sources of so many controversies and the existing
division in the liking from the Fifties, specially between the Madrilenian
and Asturian canaricultores . F.o.c.d.e. it
tried to unify positions with F.o.e. facing the last reform
that was carried out of the effective list in C.o.m. mentioning
its representatives to hold a bilateral meeting, without receiving
answer some to its supply of dialogue. Everyone is responsible for
its acts and it is not the this suitable place to treat a so serious
and delicate problem, but, by very great that is the distance that
separates the positions of both federations, I am sure that sooner
or later one will be the form to combine efforts and to resolve
the existing differences so that, between all, we pruned to contribute
one more a more solid laying of foundations to our national race
of song, cradle in the force of the reason and the mutual respect
and understanding.
Retaking the main subject of these lines, the
greatness of our race, I return to repeat, resides in the variety
of turns that can take part in their song. The freedom margin that
has a criador of canaries of Spanish Song at the time of
shaping their particular tastes in the song of their units, are,
at least in F.o.c.d.e. amplest. It does not happen the same
in F.o.e. whose standard is designed so that the canaries
complete whatever more squares of the best list and, since most
of his turns they are of limited phonetic text, a greater concretion
of the canoras possibilities exists of unit; to observe, also, that
when having to base its song on turns of very different characteristics,
in attention to its rate of transmission - playing a preponderant
role the rate turns continuous -, to its sonorous characteristics
and, as I finish indicating, to prioritize those of phonetic text
limited (unique notes in terminology F.o.e. , the
phonetic text turns limitless (floreos floreos slow
and joint variations as we considered them in F.o.c.d.e.
, that is in that it bases the immense variety of the repertoire
canoro of the race, those that they equip with own personality and
those that confer their special attractiveness to him, are seen
extremely limited quantitatively and qualitatively. Of all it is
known and it is demonstrable empirically that a clear mutual incompatibility
between the turns of continuous rate and the turns of discontinuous
rate exists
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